We’re not located in NYC or Los Angeles or Silicon Valley. On its face, Revision Path is not a podcast that gets a lot of attention. I focus on the community and the listeners we have, and then they help spread the word to others. I really think that’s been the secret to helping the show grow. Y’know, the fact that we have been around now for nearly nine years is a real testament to the community behind the show. What has helped in making your show grow? I know some educators that use the podcast as a teaching tool in their courses, so it’s great that the next generation of designers and creatives get a chance to be inspired by these amazing guests. I really try to stay out of the way in most interviews and just let the guest talk, and I do my part to guide them towards a particular takeaway or point of view that they want the listener to have after the interview.įrom what I’ve heard from listeners, they feel that Revision Path is important because it helps set a standard and an example to let others know that there are Black people doing this kind of work, they are successful, and they are thriving. to really tell their own story in their own words. Personally, I love that Revision Path is a platform for Black designers, developers, digital creatives, artists, etc. Maurice Cherry is the host of Revision Path, an award-winning podcast which is the first podcast to be added to the permanent collection of the Smithsonian’s National Museum of African American History and Culture. This week we’re getting to peek into the listening life of Faybeo’n Mickens, the Marketing Director as Double Elvis, home of Disgraceland and some of her favorite podcasts About A Girl, Dear Young Rocker and Here Comes the Break. Trust me, the less you know him/me, the better this will be. You may have been born near Jesus’ birthday, but you outshine him in every way Those pasta bowls you bought for Cheri in 1998 are still perfect Your Zinnias make the Zinnias in the Union Square Market look like shit I’m not sure how Lauren turned out like you, but not as good (He WILL respond to you.) If you don’t know what to say, feel free to pull one of these phrases: I set him up a birthday email address: -email him a happy birthday message. It’s my dad’s birthday, and I’d like you to do me a favor. There are 169 days until I go on my next Disney cruise. And our sources for entrusting us to tell their stories.Today is Monday, December 20. Was Fred a monster, masquerading as the perfect Malibu dad - or was an innocent man convicted by his gossiping neighbors?īut more important than any year-end list is the support and loyalty of our listeners. But a phone call from a Malibu neighbor changed everything. Initially, the deaths were ruled accidental. Verna’s husband, Fred Roehler, was the sole survivor and only witness. Variety: Season 2 of the true-crime series, hosted by New Yorker writer Dana Goodyear, focuses on the suspicious drowning in January 1981 of Verna Johnson-Roehler and her young son, Doug, while boating 30 miles off the coast of Malibu. Strangeland isa brilliant example of how true crime can contain surprising depth. Choi, who is Korean American, translates and provides cultural context about how Koreans tend to view obligations to family, to neighbors, and to strangers. Though someone was convicted of the triple homicide, the show casts doubts on that verdict. In 2003, in Los Angeles’s Koreatown, a woman named Chi Hyon Song, her 2-year-old son, and her nanny, Eun Sik Min, were murdered. But hosts Sharon Choi and Ben Adair avoid the predictable, turning the show into a thoughtful meditation on race, culture, and immigration. The Atlantic: Strangeland is a true-crime show that involves some familiar threads: evidence gathering, suspect lineup, investigation critique. Two of our favorite mentions come from The Atlantic on Strangeland, and Variety on Lost Hills. Western Sound shows made a number of year-end best of lists.
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